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Poetry First and Last

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Risk in poetry. 
One wouldn’t think there would be risk, but there is.  Poetry is often excruciatingly personal, as it should be.  Poetry expresses the ineffable –  the hidden.  Submitting your personal work, your tender heart, to possible criticism is scary. Understandably, reading that stuff out loud to an audience, no matter how sympathetic,  requires courage elevated to another level.  But we must speak.  It’s part of the art, I consider sharing the final piece of the process:  reading the poem, publishing the book.
 
Which is what I did this April during National Poetry Month.
 
I submitted a poem to a contest held by my local writing club – Gold Country Writers.
At the celebration party for all the poets who submitted works, we all were invited to share our poems.  Everyone who submitted was invited to read, which was lovely.  Except as poet after poet was called and I was not,  I became nervous.  Did   I forget to submit?  Not press the correct submit button?  As  poets after poet read, I ate cookie after cookie.  Finally I was called!   I was the last to read because the poem had won first place.
I read and the audience paused, then applauded.  That was enough for me!  And I got bragging rights on a Facebook post. 
 
The following week. I participated in a fringe event attached to the Sierra Poetry Festival.  That event was more like a slam, with past Nevada County Poet Laureates serving as judges.  The prize here was to qualify to read on the main stage during the Saturday Sierra Poetry Festival.   Three poems would be chosen.
My goal was to read to another group,  one I anticipated to be indifferent.  But the bar was populated with  many friends, all of whom listened to the readings with enthusiasm.  
The call out was random, as the evening progressed, my name was not called.  Poet after poet read (shout out to Sands Hall, Michaelyn Louge, and Liz Collins for their wonderful works.).  I morosely drank my second Manhattan and muttered disparaging things about the universe and thwarted creativity until, second to the last, my name was finally called,  fortunately before the second drink was finished.  
I read, expressed and remembered the practiced moves.  I made the effort. Which is much like saying I won Miss Congeniality.  No second round at the Festival for my work.
 
Process.  attempts, all that crazy shit.  It’s part of what we can do or even must do as artists.  Sometimes we win and sometimes we do not.  But I am pleased took part, that I gave it a try.  I wanted to share both the triumph as well as the failure.  Because that is art.
Here are the poems.
 
Lilith  (the winning poem)  
 
the second woman was constructed from 
previously owned parts without  warranty
 
the first-  like Adam – was molded from earth
more solid than ribs
harder than bricks to build cities
  
she did not bow her head or curtesy
instead ran straight at the volcano 
Adam trailing behind – is this a good idea?
 
She pressed him back into the ground
sharing how the earth sways  
the banging surf spume 
gulls swoop overhead 
the hard shore washed over 
and over –  yes, yes.
 
pious men of the church 
unable to tolerate a happy ancestor  
deleted this first wife, 
as is so often the case
promoted  the new trophy wife 
made of ribs ripped from Adam
Love is pain
 
Quoted God  –  
love this one, a better 
but lesser version of you.
to serve up transgressions
  – Eve’s version
 
yet, yet, those first days in the fresh world
the surf, the cries, the trembling earth
sent a collective memory 
vibrating through all time
 
drawn to the edge of the shore
women lift their faces to the sky 
the rolling sea foam 
waves gently lapping in and out. 
Why do the gulls cry yes, yes?
 
 
Health Class: 1972.  (at least spoken out loud, but did not win poem)
 
Here we meet the innocent egg 
drifting  aimlessly into a comfortable casino
lined with red velvet couches
so pretty in white, like a bride
 
the moment comes – release the sperm! 
a 1,000/one race  to
the fastest, the worthy, the evolutionary swift
no small talk
 
What if the egg is the huntress – Artemis
a monthly escape to  knock back whiskey
 stalk  a random sightseer
milling about, feeding slot machines
bragging about the size of his Y
 
punching through  any barrier,
dodging a barrage of chemicals
clever, sneaky, she snatches the straggler
at the entrance and drags  him back to the couch
no drinks
 
a doubled down wager
against another blood red apocalypse  
 
Any questions?
Clear on the odds?
You do understand –
The house always wins.

CatharineBramkamp

Catharine Bramkamp is a successful writing coach and author. She has published over 300 newspaper and magazine articles in publications like Modern Maturity (AARP), SF Chronicle and Santa Rosa Magazine. She was a contributor to two Chicken Soup Books and has published anthologies of her work, non-fiction works and novels. Her work has also appeared in a number of poetry and fiction anthologies. She has experimented with the self-publishing world since 2001. She has published and self-published seven books through companies like Author House, author assist companies like 3L Publishing and through traditional publishers like Write Life. Her poetry collection, Ammonia Sunrise, will be released in August 2011 by Finishing Line Press and her mystery novel, In Good Faith will be released by Write Life in 2011. Catharine holds a BA in English from UCSB and a MA in English from Sonoma State University. She is a 25 year member of California Writer’s Club. She is an adjunct professor for the University of Phoenix. She works with authors of both fiction and non-fiction to make their dream of producing a book come true. For more information on that, visit her at www.YourBookStartsHere.com Catharine has lived in Sonoma County for 25 years and considers wine a food group. She is married to an adorable and very patient man who complains he’s never featured in any of her books. Her grown children who are featured in a few of her books have fled the county.

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