Thoughts – Let the Whole Thundering World Come Home

I just finished reading Natalie Goldberg’s latest book Let the Whole Thundering World Come Home (released in June 2018).  Loved it.  I love all her books so this isn’t really a serious review because I’m a fangirl, I love Goldberg’s work, and I use her advice for both my teaching and my own writing.    

What attracts me to Goldberg’s work and writing is that she is real. Not that memoirists are not real, they are, but there is a quality of Goldberg’s work that delivers a sense of the right here, right now that is unique.   She is a Jewish Zen practitioner and lifelong writer. Her book, Writing Down the Bones, is on every “Must have” list for a writer’s library.    I’ve met her, I wrote a Master thesis on her work, I have asked her if she knew of Peter Elbow, author of Writing Without Teachers)  and she said yes, even though she never mentions his work in any of her books.

In this her most recent book, she doesn’t write about writing, she writes about her cancer journey.

She had written about coming out, she has written about her parents, particularly her father, and she has written about her deep love for her Zen master as well as his betrayal later.   Because of her Zen training, she is a master at noticing:  this cup, this sidewalk, this cookie.

For two years she battled cancer ( she even commented on the language of cancer, all military, all battles, attacks, and blood).  And instead of glossing over the experience, she, as is typical of her brand, dives in and records her experience as honestly as she could because she believes that in describing her experience, in naming the drugs she was given. If she records the specifics of the process she experienced, she could help someone else.

Here is what she did as a writer:

Stayed true to her brand.  She discovered many books on cancer in the abstract, but few recording the gritty details of the process.  So she set out to correct that.

Like all her books, she recorded the details.   She applied all that Zen slow walking, drinking of water, sitting Zazen, writing for ten minutes – go – and applied it to this new experience.  She took us on her journey and it was magnificent.

She kept writing because writers write.  She was working on The Great Spring at the time of her treatments, she credits that distraction with helping her get through the very long, very frustrating, very scary, experience.

Which brings us to: no matter what you’re going through, writing helps. It helps a lot.

She kept her friends close, she was rarely alone, her friends hung out doing the 8 hours of chemo drip and supported her, and helped her escape the sterile halls of the hospital after she was finished.  Her friends joined her in hot chocolate and ice cream.  My friends would join me in beer and wine.  Choose good friends, keep them close.

She wrote to stave off boredom.  While all these chemicals (that did not work by the way) were dripping into her body, she wrote.  She doesn’t even say it was wonderful, it was bad.  In fact, if you attend her retreats,  she is maddeningly insistent that no writing is good or bad, it just is.  No judgment because if you are a writer, what else is there to do?  I need a little judgment.

She wrote with her friends, something she also advocates and something, in the dark days of treatment, she did.

And my take away: writing can keep you young.   On the page she is still wondering, she is still observing, and that curiosity and recording deliver an attitude that reads as young. The writer herself is in her mid-sixties, but unless she mentions it, and she does, you cannot tell her age from the writing itself.

Who doesn’t want to sound younger?

That’s what I thought.

In an emergency, our habits are our default.  Goldberg defaulted to writing and zen, practices not something we finish. The writing was part of her salvation and as she contemplated death, her legacy.

Or as she wrote in Wild Mind – It is my hope that in sharing what I do, I have helped my readers along the writing path.

Why we write

catharinebramkamp View All →

Catharine Bramkamp is a successful writing coach and author. She has published over 300 newspaper and magazine articles in publications like Modern Maturity (AARP), SF Chronicle and Santa Rosa Magazine. She was a contributor to two Chicken Soup Books and has published anthologies of her work, non-fiction works and novels. Her work has also appeared in a number of poetry and fiction anthologies. She has experimented with the self-publishing world since 2001. She has published and self-published seven books through companies like Author House, author assist companies like 3L Publishing and through traditional publishers like Write Life. Her poetry collection, Ammonia Sunrise, will be released in August 2011 by Finishing Line Press and her mystery novel, In Good Faith will be released by Write Life in 2011.
Catharine holds a BA in English from UCSB and a MA in English from Sonoma State University. She is a 25 year member of California Writer’s Club. She is an adjunct professor for the University of Phoenix. She works with authors of both fiction and non-fiction to make their dream of producing a book come true. For more information on that, visit her at www.YourBookStartsHere.com

Catharine has lived in Sonoma County for 25 years and considers wine a food group. She is married to an adorable and very patient man who complains he’s never featured in any of her books. Her grown children who are featured in a few of her books have fled the county.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: